Scribblers Music Review

I hate Fleetwood Mac with a passion—they were an easy enemy for young punks of the 1970s, what with a hit soft-rock that not only ruled the Billboard charts for a nauseating amount of months but changed a once-decent band from rowdy Brit R&B to L.A. lollygagging. But even with bands I despise I can usually find one song I admire. In Fleetwood Mac’s case that song is “Tusk,” which I’ve been known to play on the ukulele and which used a marching band as cleverly as Steam used cheerleading chants.
So The Afghan Whigs ingenious reworking of “Tusk” into their own song “I Am Fire,” live on the Jimmy Kimmel show March 9, was a certain kind of statement. Greg Dulli is a mature, sensitive popsmith with some punk roots and an appreciation for early Beatles that earned him a place in the Backbeat soundrtrack band alongside Dave Pirner, Thurston Moore, Don Fleming, Mike Mills and Dave Grohl. Nobody from that era, or those interests, references Fleetwood Mac indiscriminately.

Rock Gods #360: Adventures in Our Little Music Scene

The Cryptogrammarians sing only in code. Some of their songs only have meaning if you connect the first letters of each line. Others only add up if you remove certain letters from words, creating other words. Then there are the ones which don’t sound like words at all, because they are letter-substitution ciphers.
We love doing the little puzzles on the comics pages while waiting for bands to come on at the Bullfinch. But actually hearing a band sing and play those puzzles is an exercise in frustration. It hard to make out song lyrics at the best of times, and it’s completely futile to try to do so even with the foreknowledge that there are hidden meanings.
The Cryptogrammarians aren’t doing this for us, however. They’re having fun among themselves, and making us sit through it. Their labored intros to the songs, which basically explain that we’ll never get what they’re trying to say, haha, is more infuriating than the lousy drumming. They are clever college students showing off, and townie bars be damned dummies.
Yet we don’t seem to be alone in our concerns. Interest (resentment?) among the Cryptogrammarians’ fellow coding students has led to the issuance of a photocopied, stapled, lyrics compilation that doubles as a puzzle book. The booklet will be available at future gigs, starting with this Thursday’s at the Bullfinch.
With most bands, we put down the puzzles when they start playing. With the Cryptogrammarians, we will pick it up. Glad they solved that puzzle. Now to solve the other one: Can’t you find a better drummer?
Tonight: The Floating Admiral at the Bullfinch; punk sea shanteys… The Well and the Shallows at Hamilton’s, another college-on-the-hill smarty band… Winged Euonymus (the Burning Bush line-up) at D’ollaire’s…

Riverdale Book Review

Here’s a new-media wrinkle: a lightly animated Veronica cartoon, “Riverdale Royalty,” on YouTube at https://www.youtube.com/watch?v=rjpiRCRrQIU. It’s got a single gag about how Veronica takes advantage of Reggie, a jaunty video-game-type music score, and no spoken dialogue. Speech balloons (and sighs, and hearts, and plumes of smoke) appear over the characters’ heads with expert comic timing, giving the joke a perky momentum. There’s a briskness and brightness to the whole endeavor that’s frankly captivating. What colors! What light! What a refreshing minute and eleven seconds!

Scribblers Music Review

Stage: Soul Music, “March 9th.” Something comfortably old-school about this whole single. First, it’s a single. Second, it’s a sweet soul number. Third, the name of the act is Stage, a straight-up declaration of old entertainment values. Fourth, this is a tribute to the Notorious B.I.G., one of the immortals. Fifth, it’s so retro and smooth and soulful that the comments on the iTunes posting of the track are hilarious: the first says “Huh?,” and the second echoes that with “DaFuk? Is this nonsense?” It’s not. It’s charming.