Rock Gods #326: Adventures in Our Little Music Scene

The Twark Main’s new song “Dialogue” is based on a Bullfinch incident where they were drinking at one of the tables and couldn’t hear themselves talk. It was at what is usually a quiet, conversational time, just before Wednesday Happy Hour. So they played a note-passing game, during which they were aware of the conversation slowing and then stopping. They looked up and everyone was watching them play their game.

Their lyric (with many lines borrowed from that noted mustachioed gent who often has a drink at the Bullfinch on his way back from the Hannibal dive bar on Clemens St.):

I will subdue this riot

I will silence this racket.

There is only one way to do it, but I know the art.

You must tilt your head toward mine and seem to be deeply interested in what I am saying

I will talk in a low voice

Then, just because our neighbors won’t be able to hear me, they will want to hear me.

If I mumble long enough

you will see that the dialogues will one after another come to a standstill

and there will be silence

not a sound anywhere

but my mumbling.

Tonight:

Torrent Loach and the Wedge Tails at The Bullfinch. The horn section from Monterey Skate will be in attendance… Triggerfish at Hamilton’s, doing a few of their grind-movie instrumentals but mostly their roots-rock covers… Araugarian Conifers at D’Ollaire’s (make-up gig, all tix will be honored)…

Riverdale Book Review

Archie Statements

• When Veronica is grounded from going out, or inconvenienced by a storm, it is considered comical because she lives in the lap of luxury.

• When Archie is looking forward to something or enraptured by something, he will be beset by so many calamitous versions of the thing he cherishes that in the last panel of the story he announces that he never wants to have anything to do with that thing ever again.

• Whenever Betty thinks Archie is taking her out that night, he’s really taking Veronica out that night.

• Jughead thinks he hates things (girls, food other than hamburgers, trendy fashions) but can be convinced otherwise, though he always reverts to his old traits.

• Hot Dog is sentient and highly skilled, but is weak-willed and unreliable.

• Dilton Doiley’s superior intelligence apparently renders him automatically unattractive and remote.

• Moose’s instinctive reaction regarding people who challenge him in any way is to beat them up.

Scribblers Music Review

I’m a sucker for stories of songs with the word Quetzalcoatl in them. Not only has Liturgy created such a song, this “Transcendental Black Metal” band is the ideal outfit to concoct such a ditty. Liturgy does a singular sort of Gothic church music, respecting sacred compositional structures and noting the connections between medieval plainsong, classical new-music, drum-n-bass, Beatles and layered-on production techniques. The results are enthralling, and do to me what Monteverdi and Byrd can do to me, but using tools and references from this century. It’s a higher calling, just as Quetzocoatl is a flying feathered serpent worshipped by Aztecs.

The song’s a teaser for the upcoming (third) Liturgy album The Ark Work, coming out on the Thrill Jockey label March 24.

Shower Music for January

The ten albums currently hovering around the CD player in the downstairs bathroom.

• Cheap Trick, Cheap Trick

• Final Fantasy, He Poos Clouds

• Brian Wilson, That Lucky Old Sun

• American Graffiti Revisited (surf band cover comp)

• Metamorphosen Chamber Orchestra: Grieg’s Holberg Suite, Dvorak’s Serenade in E, Tchaikovsky’s Serenade in C

• Ramones, Acid Eaters

• Oasis, (What’s the Story) Morning Glory?

• The Outlets, 18 Songs

• Kansas City Blues 1944-49 (Julie Lee & Her Boyfriends, Bus Moten & His Men, Tommy Douglas, Tiny Kennedy, and various Jay McShann bands)

• Glee, The Music, Season One. For its amusing take on Kanye West’s “Gold Digger. ” Don’t know why I feel I have to explain and justify this one, when I didn’t the others.

Rock Gods

Holiday all-day band affairs can be so overwhelming, and so hard to cover comprehensively in a limited space. Take the King Day Peace-a-thon at Hamilton’s: this many bands, who were bracing (Crisscross Prickleback), slow (Alligator Pipe), quirky (Teleostei), loud (The Audax), smart (Arch Elon), shimmering (Ishie Rose), vapid (Style Mys), vivacious (Testudo), slick (Chrys Emys), slight (Sea Lily), saggy (Siggy Laria), sharp (The Calamites), ridiculous (Fossilized Dung) and so odd we’re still searching for the best adjective besides “odd” (Grallator).

The stage was decorated in purple streamers, which had all been destroyed by the time the third band had played. Each act did a full 45-minute. Changeovers were remarkably fast, thanks to Q (moonlighting from the Bullfinch) and his crew. Someone thought to bring cheese plates and popcorn. Wild, long, ungainly, unbalanced, perhaps even unnecessary. But undoubtedly overwhelming.

Tonight: The Human Bedbug and sister act Winghead at the Bullfinch. Someone go tell the little girl across the street. She likes bugs… Ox-Eyed Oreo, the regional soul band, at Hamilton’s… Lori Cariid Pirillo at the new World Stage Center (or is it World Center Stage?) at the College on the Hill… Pancake Batfish, one long jam, at D’ollaire’s…