Rock Gods #376: Adventures in Our Little Music Scene

The PossPulls went on the lam from a Bullfinch gig Thursday. They’d pulled in to the gas station on Cherry Hill and somehow (band members differ in their reports) got into a scary dispute with a van driver while buying macaroni salad. (They all agree that it was macaroni salad. Our treatise on why no one should eat macaroni salad before a big night at the Bullfinch will be published one day in a scholarly journal). The van pursued them out onto the parkway and, try as they migh, the band couldn’t shake him. Their soundcheck/set was high, so they headed toward the club. They went to park in the alley beside the Bullfinch, and the van pulled up right beside them. Just then, driver/drummer Jazzy Bill remember the little secret every band knows, but non-bands don’t: The “Dead End—Do Not Enter” sign is fake, an antique remnant from the days when the Keyes Locke Building was still standing. You can drive right through, safely turn down that little side road (Off Center Street) and park after you unload your gear.
Jazzy said firmly “Stay in the car,” stopped, made a move to turn off the engine. Mean van guy stopped, turned off his engine, got out of his car and walked toward the PossPulls’ vehicle (that old green station wagon that used to belong to the Lingereers.) Jazzy waited a few steps then, moved into drive and tore down the alley.
Whole minutes of cheers of exaltation ensued. Then there was an awkward moment of “Now what?!” Nobody ever picks up the phone at the Bullfinch, so the PsPls found a messenger—that little girl who lives across the street from the club—to tell Q they’d be late, and not incidentally to let the band know when the coast might be clear.
The little girl saw it as real spy stuff. She was all set to tell the van driver some wild-goose-chase place where the band had supposedly gone. That might have had some dangerous repercussions, and luckily was not necessary. Mr. Mean Van had given up quickly.
The PossPulls played that night, simply swapping sets with the other band on the bill, Peremptory (from Norwaytown). It was the set of their life. The story of their daring escape was woven into the stage banter. The band was laughing and making merry throughout, but we do believe we’ve never seen guitarist Slim Tom hold his axe in quite that defensive a manner before.

Tonight: Timon & The Tables and Planned/Service/Change at the Bullfinch… Restricted Area Keep Out at Hamilton’s; safe scare rock… The U News (formerly Union Shuttle) at D’Ollaire’s, with local openers The Guest Rewards…

Riverdale Book Review

Instructors
• Danny Danza (trains Veronica to dance like on TV shows)
• Raul the tennis pro (makes a play for Betty until he realizes “what a devotion she has for this lad” Archie)
• Mr. Theorem, Riverdale High math teacher

Hoagy Carmichael’s OUR JIM (“He’s only 68”)

While in Indiana last week, I spent some time at the state History Center and Library. Randomly searched its catalog for one of my favorite Indiana-born songwriters, Hoagy Carmichael, and turned up this political curiosity: a campaign song of sorts for Senator James E. Watson. who served from 1916-1933. (Watson had previously been a member of the U.S. House of Representatives from two separate districts: the 4th district from 1895-97 and the 6th district from 1899-1909.)
Watson was a controversial and powerful Republican. He’d been a lobby in between serving in the House and Senate, had seats on important committees, was Majority Leader for his last two terms, and was a must-have endorsement in Indiana. He was suspected of being a member of the Ku Klux Klan, and got in a royal pissing match with Knute Rockne about tensions between the Klan and Notre Dame University. But outwardly his reputation apparently was of being immensely likeable and even tolerant.
There are no such complications, contradictions or nuances in Hoagy Carmichael’s song “Our Jim,” which is distinctive mainly for its obsequious nonsense in search of familiarizing and deformalizing the imperious Senator Watson.
“Our Jim” was published in late 1932, four years after Carmichael’s still-massive hit “Stardust” first debuted and just a year after its major recording by Bing Crosby. Carmichael hadn’t hooked up with lyricist Johnny Mercer just yet, but he was a well-known composer and of course, to Sen. Watson, a fellow Hoosier and Republican.

OUR JIM
Words and music by Hoagy Carmichael

Senators come from everywhere
To give the country what is fair
Some of them grow to be famous men
But some don’t even care
Senator James E. Watson came
To lead us up a rocky hill
So he proposed a tariff bill
We’ll ride along with him

OUR JIM
We call him Senator Jim
OUR JIM
And ev’ry heart is with him

Hail! To the years he gave his Hoosier State
He’s only sixty-eight
We’re mighty proud to have “Our Jim.”

A finer man couldn’t be.
OUR JIM
There’s none as handsome as he.
OUR JIM
You can bank on the Wabash
and Senator Watson
We all love Jim.

Senators are a funny crew.
They argue till they’re black and blue.
Some of them gain their points, it’s true.
But others seldom do.

Senator James E. Watson is a fiery man
With lots of vim
He never fails to gain his point
We’ll ride along with him
OUR JIM

Rock Gods #375: Adventures in Our Little Music Scene

There was a long line to see MN Tickets open for Security Reasons at D’ollaire’s, which struck us funny since the band plays such short sets. MNT has had an upset hit with the novelty tune “Balloon Goon,” especially novel now due to the national news story about a real-life balloon goon who’s been running at helium-balloon vendors in zoos and yelling “You’re free! You’re free!” The Tix say their song has absolutely nothing to do with any of that—it’s about “a fat guy from our high school,” as bassist Ray Jersey delicately puts it. But they’ve been enjoying all the extra attention, and have sold nearly enough singles to buy a used van.

Tonight: Met No and All Lines at the Bullfinch (change in schedule)… Effective Immediately at Hamilton’s… An Evening with Webster B., of Commutrail, solo acoustic at D’Ollaire’s…

Five Archie Statements

• The customary way of dealing with an unwanted houseguest is to hurl them through the air onto the pavement outside the home.
• New hairstyles are almost always a mistake and the object of ridicule.
• Stolen, desirable-looking food is invariably made of soap or plastic.
• Minor members of rock bands carp incessantly about how they want to be the star of the band, yet they never start their own bands or even side projects.
• High school athletes can play for multiple teams—baseball, football, basketball, track—without any scheduling conflicts.

Scribblers Music Review

Carry Illinois, Alabaster. This is pop-folk as Linda Rondstadt used to do it before she fomented the heinous L.A. soft-rock movement. Strong, clear female vocals (Lizzy Lehman) are carried along some fervent playing that’s close to R&B in its energy and synchronicity. This soulful guitarry rock stuff is not generally my cup of tea, but I certainly admire when it’s done well, and I had to hear this album all the way through at once.